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Abstract- This study examines the lacquer painting Procession of Chariots and Horses excavated from Warring States Chu tombs, with the objective of elucidating its visual symbolism and reassessing its relevance within contemporary lacquer art practice. The research is guided by two core questions: first, in what ways does the chariot and horse motif articulate the dialectical relationship between war and peace; and second, how can this imagery be reinterpreted to inform present-day creative approaches. Employing a mixed-methods design, the study integrates qualitative analysis—including literature review, iconographic and semiotic interpretation, and expert interviews—with quantitative audience surveys (n = 30). The findings reveal that the imagery simultaneously embodies connotations of power, military mobilization, ritual order, and aspirations for peace. Audience responses further demonstrate a preference for reinterpretation over replication, with higher acceptance of abstraction, symbolism, and material innovation. The study concludes that the dialectical tension of war and peace may be effectively translated into contemporary lacquer art through strategies of symbolic reconstruction, spiritual continuity, and material experimentation. These insights not only advance the art-historical understanding of Chu lacquer painting but also provide valuable references for cultural heritage preservation, creative industries, and the evolving discourse of “Guochao” design.

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